Professional audio & video
Cabling for equipment that is rigged, coiled and re-plugged every day.
Audio, camera, broadcast and stage equipment carries low-level signals next to power, and its cables are handled constantly. For equipment makers and AV integrators the questions are shielding, flexibility, connector choice, length and where the cable will live — studio rack, camera rig or outdoor stage. Each is confirmed before quoting.
What pro AV equipment makers and integrators need
Internal equipment harnesses
Board-to-board, panel-connector and power wiring inside mixers, amplifiers, processors and displays, built to your pinout.
Balanced audio and microphone cables
Shielded pairs with XLR, TRS or customer-specified connectors; shield type, flexibility and length per your spec.
Multichannel and breakout cables
Multi-pair snakes and fan-outs with labeled, color-coded tails, built to your channel list.
Camera and monitor cabling
Power, control and video leads for cameras, rigs and monitors; high-bandwidth video runs are confirmed against signal format and length.
Speaker and power cables
Speaker leads and equipment power cables with locking connectors, conductors sized to your load and run length.
Stage and location cable sets
Touring and outdoor assemblies — jacket, strain relief and connector sealing chosen for the handling and environment you describe.
What gets checked before the PO
AV cables fail from noise and from handling. These details are confirmed before quoting.
| Shielding | Braid, foil or spiral shield and how it is terminated — chosen for the signal level and the interference around it |
| Flexibility | Stranding and jacket compound for cables that are coiled and handled daily; flex life is confirmed for the construction chosen, not quoted as a blanket figure |
| Connectors | Series, brand, plating and locking style as you specify — sourced as specified, never silently substituted |
| Length | Finished length and tolerance; for digital audio and video, the length is checked against the signal format being carried |
| Environment | Studio, rack, touring or outdoor use — temperature, moisture and abrasion decide the jacket and the strain relief |
| Built or sourced | Custom assemblies are built by our manufacturing supplier; finished catalog cables can be sourced by part number instead |
| Testing | Continuity and pull-force per the agreed plan; any signal-performance testing is agreed per project |